Music Domain

Music by Edward Burne-Jones, representing the Music Domain
Music, Edward Burne-Jones, 1877.

The Music Domain has two distinct published d20-era versions. One comes from Bastion Press’s Lore of the Gods: Greek Gods; the other comes from Relics & Rituals: Olympus. The old page blended them together, so they are now separated into complete rules panels.

At a Glance

Divine SphereMusic, song, performance, sonic magic, inspiration and enchantment
Published VariantsLore of the Gods: Greek Gods; Relics & Rituals: Olympus
Rules Erad20 / D&D 3.5-era third-party material
Source PatronsApollo, Dionysus
Campaign PatronsApollo, Balder, Dionysus, Mnemosyne and Pan
Other EditionsNo official same-named Pathfinder 1e or modern D&D domain is presented here

Edition Applicability

Both panels are d20-era third-party Music Domains. They are alternative published rules sets, not one combined domain. Choose a single version for a character or campaign.

Music Domain — Lore of the Gods: Greek Gods

Rules status: published third-party d20-era domain.

Granted Power

Three times per day, you may use song or music to counter a magical effect that depends on sound or the sonic descriptor. The source of the effect must be within 30 feet. Activating this ability is a standard action.

Music Domain Spells

1stPhantom Musician
2ndEnthrall
3rdSculpt Sound
4thShout
5thTongues
6thSirine’s Song
7thPiper’s Call
8thIrresistible Dance
9thWail of the Banshee

Music Domain — Relics & Rituals: Olympus

Rules status: published third-party d20-era domain.

Granted Powers

You gain spell resistance 10 + your Cleric level against bard spells. You also gain Skill Focus (Perform) as a bonus feat for one performance category: singing, percussion instruments, string instruments or wind instruments.

Music Domain Spells

1stSleep
2ndSound Burst
3rdImagery
4thInsistent Beat
5thShout
6thSong of Discord
7thDissonant Chorus
8thIrresistible Dance
9thMimicry

How the Music Domains Differ

The Lore of the Gods version protects a congregation or adventuring party from hostile sonic magic and builds toward ever more powerful sound-based effects. The Olympus version makes the priest personally resistant to bardic magic and rewards trained performance before moving into enchantment, sonic disruption and the ability to imitate bardic magic.

Who Grants the Music Domain?

The sourcebooks both connect the domain strongly to Apollo and Dionysus. The current directory also associates it with Balder, Mnemosyne and Pan, where music is already part of their established cult or mythic identity.

What Are Music Priests Doing Now?

They are judging sacred performances, protecting ceremonies from hostile sonic magic, recovering lost hymns, investigating songs whose effects exceed ordinary bardic art and deciding whether a melody is inspiration, enchantment or divine command.

Related Domains and Character Options

Rules Sources and Licensing

  • Lore of the Gods: Greek Gods: Steven Creech and Kevin Ruesch, Bastion Press.
  • Relics & Rituals: Olympus: W. Jason Peck, Aaron Rosenberg, Christina Stiles and the sourcebook team, White Wolf / Sword & Sorcery Studios, 2004.
  • Correction: the two Music Domains are now kept as separate published variants instead of being merged on one undifferentiated page.
Scroll to Top