Edmund Kean “The Great Kean, the Tragic Actor”

Edmund Kean is a tall and slender man with piercing blue eyes and a commanding presence on stage.

• Alias – The Great Kean
• Gender – Male
• Race – Human
• Occupation – Actor
• Religion – Anglican
• Allies – The Drury Lane Theatre Company, Samuel Coleridge, and William Hazlitt
• Enemies – The Covent Garden Theatre Company
• Abode/ Base of operations – London, England
• Nationality – English
• Languages – English, French
• Alignment – Chaotic Neutral
• Affiliation (s) – The Drury Lane Theatre Company
• Significant others – Mary Chambers (wife), Charlotte Cox (mistress)

Edmund Kean is a British actor known for his exceptional talent and stage presence. He was born in London to parents who were both actors. Kean began his career at a young age and quickly gained popularity due to his natural acting abilities.

Despite his success, Kean’s personal life was tumultuous. He was known for his heavy drinking and often found himself in trouble with the law. Kean’s reputation as an actor, however, remained unscathed and he continued to be in high demand.

Kean’s portrayal of Shakespearean characters, particularly his portrayal of Othello, was legendary. He was praised for his ability to convey intense emotion and his unique interpretation of the roles he played. Kean was also known for his dynamic stage presence and his ability to captivate audiences.

In addition to his talents as an actor, Kean was also a skilled writer and director. He wrote several plays and adapted many others for the stage. Despite his accomplishments, Kean was often plagued by financial difficulties and struggled to manage his money.

Throughout his career, Kean was dedicated to his craft and worked tirelessly to perfect his art. His passion for acting was evident in every performance and he remained one of the most revered actors of his time.

Today, Kean is remembered as a pioneering figure in theater and a master of his craft. His legacy continues to inspire actors and theater-goers alike.

Edmund Kean, the Tragic Actor

Medium humanoid (human), Chaotic Neutral

Armor Class: 14 (leather armor)

Hit Points: 127 (17d8 + 51)

Speed: 30 ft.

STR 12 (+1) | DEX 18 (+4) | CON 16 (+3) | INT 12 (+1) | WIS 14 (+2) | CHA 20 (+5)

Skills: Acrobatics +8, Insight +6, Performance +11

Senses: passive Perception 12

Languages: English, French

Challenge Rating: 8 (3,900 XP)

Actions

Multiattack. Edmund Kean makes three melee attacks: two with his rapier and one with his dagger.

Rapier. Melee Weapon Attack: +8 to hit, reach 5 ft., one target. Hit: 8 (1d8 + 4) piercing damage.

Dagger. Melee or Ranged Weapon Attack: +8 to hit, reach 5 ft. or range 20/60 ft., one target. Hit: 6 (1d4 + 4) piercing damage.

Acting Abilities. Edmund Kean can use the following abilities as a bonus action:

• Bardic Inspiration. Edmund Kean can inspire an ally within 60 feet who can hear him, giving them a d8 inspiration die to add to their ability check, attack roll, or saving throw for the next 10 minutes.
• Cutting Words. When a creature within 60 feet of Edmund Kean that he can see makes an attack roll, an ability check, or a damage roll, he can use his reaction to expend one use of Bardic Inspiration, rolling the inspiration die and subtracting the number rolled from the creature’s roll.

Equipment

Edmund Kean wears leather armor and wields a rapier and a dagger. He also carries a pouch containing 10 gold pieces and various theatrical props and costumes.

Traits

Tragic Actor. Edmund Kean is an actor of great renown and can use his acting skills to manipulate others. He has advantage on Persuasion checks when attempting to convince others to act in a certain way or believe a certain thing.

Narcissistic. Edmund Kean is highly self-absorbed and cares deeply about his own fame and reputation. He has disadvantage on Wisdom (Insight) checks made to perceive the true motivations of others.

Lover of the Spotlight. Edmund Kean craves attention and can be easily distracted by a chance to perform. He has disadvantage on Wisdom (Perception) checks made to notice things outside his immediate vicinity when there is an opportunity for him to perform.